Open Call for Artists

Claypots: Food, Body and Memory

Applications are open.

Apply via Google Form

Claypots: Food, Body and Memory invites artists to contribute to an exhibition exploring the claypot and food ingredients as material culture, living archives, and vessels of memory.

Across Africa, the claypot has endured through generations — not simply as an object of utility, but as a repository of knowledge, identity, and cultural continuity. It embodies histories of nourishment, spirituality, healing, care, and communal life, while standing as a quiet act of resistance against the forces of colonialism, industrialisation, and globalisation that have sought to erase indigenous ways of living and knowing.

This exhibition centres the stories embedded within claypots and the women whose labour, knowledge, and practices have sustained these traditions across generations. It also considers the cultural, social, and historical significance of hibiscus, turmeric, and jute leaves as carriers of memory, migration, trade, medicine, ritual, and nourishment. Together, these materials prompt us to consider how food preserves history, how everyday objects become archives, and how food traditions shape collective identity.

We invite artists working across disciplines to respond to these ideas through new or existing works.

We welcome practices including, but not limited to

  • Ceramics and sculpture
  • Installation
  • Textile and fibre art
  • Photography
  • Painting
  • Printmaking
  • Video and film
  • Sound
  • Performance
  • Mixed media and interdisciplinary practices

Artists are encouraged to engage with themes including

  • Food as memory and archive
  • Indigenous knowledge systems
  • Material culture
  • Women's labour, care, and embodied knowledge
  • Cultural continuity and intergenerational exchange
  • Ritual, spirituality, and healing
  • Migration, trade, and the movement of ingredients
  • Identity, belonging, and resistance
  • Domestic spaces and communal gatherings
  • Traditional craft within contemporary artistic practice

Selected artists will become part of a broader programme that extends beyond the exhibition through collective cooking sessions, conversations, workshops, screenings, and artist talks, creating opportunities for audiences to actively engage with the histories, practices, and traditions explored in the exhibition.

We welcome practices that critically, poetically, or experimentally engage with the relationships between food, body, memory, and the enduring cultural significance of the claypot within African contexts.

Apply via Google Form →

Frequently Asked Questions

To Have and to Hold reflects on what persists, what is lost, what is reclaimed, and how we hold one another in times of uncertainty across culture, history, familial legacy, and the environment.

Claypots: Food, Body and Memory centres the stories embedded in claypots and the women whose labour and knowledge sustain these traditions. It also considers the cultural and historical significance of hibiscus, turmeric, and jute leaves through a wide range of artistic disciplines.

No. Artists working across different media and practices are invited to engage with the exhibition's themes. Although the exhibition considers claypots, the body, memory, and ingredients such as hibiscus, turmeric, and jute leaves, artists may approach them through identity, familial legacies, postcolonial histories, and personal or collective memory.

No. Applying and participating are free of charge.

Yes. However, KAFART cannot support international travel. International artists based in Africa may receive local travel support and accommodation.

Artists from a range of backgrounds in Nigeria and beyond may apply.

Ceramics and sculpture, installation, textile and fibre art, photography, painting, printmaking, video and film, sound, olfactory art, performance, and mixed-media or interdisciplinary practices.

The exhibition will take place in Kaduna, Nigeria.

  • Local travel support
  • Up to 50% production funding for new work, subject to proposal approval
  • Per diem during festival days
  • Accommodation for artists based outside Kaduna for the duration of the festival

Artists are responsible for packaging and delivering their own artworks.

18 August 2026.

Complete and submit the application form with all requested information before the deadline.

Questions? Reach us athello@kafartng.org